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They come from all different backgrounds and sexes.
Most have never worked as adults as actors, but a couple continue to make an effort and a couple have succeeded.
If you ask Ione Skye whether or not she's fine with being remembered only for her work in the Cameron Crowe film SAY ANYTHING (1989) she says, "I'm OK with it, I don't mind." But maybe she should mind, considering the fact that she's given us twenty five years of incredible work and all. The set, and the crew on RIVER'S EDGE were very respectful of me. I really thought going onto that set was gonna be an experience like you read about. You know, someone offers you cocaine or something, and it wasn’t like that. Also, I do wish that I would’ve done more films that I could be more proud of. Back then, when I was in my 20’s when the iron was hot, I wasn’t interested in that type of work ethic. Other times I’m told “We really wanna see you more...” So it evens itself out. It’s a weird, trendy version of a soap opera with a lot of crazy things going on in it.
Skye has shined brighter than a diamond in films like RIVER'S EDGE (1986), A NIGHT IN THE LIFE OF JIMMY REARDON (1988), GAS FOOD LODGING (1992) and FOUR ROOMS (1995) for example. I was flaky, and I was more interested in going on tour with my then husband who was in the Beastie Boys. I’ve got that work ethic now and I make myself available to projects that are interesting to me. I am not private about my personal life with people I feel comfortable with. I have to always push myself into being an extrovert. It wasn’t the first time I had worked with a female director, but I was very conscious that I was. It was easy to get into that character because we were on location and that makes it easier for an actor to get into the role then if you’re living in a city.
Also there was another actor from the movie who is probably B list today.
The actor was sent off with a group of men to the carnival while she was followed by this B list actor who asked sexual questions one after the other and excused himself multiple times.
A friend who until recently, never told me about the dark side to filming a movie with the legend.
:) When I started putting out feelers to former child actors who had worked on his movies, I was surprised how many people wanted to tell their stories about working for this permanent A list director.
One only need take a look at Allison Anders must see 1992 indie Gas Food Lodging to see a truly brilliant Ione Skye at work. And it was through him pushing me that I finally stepped out and got into acting. So my brother told me that I should go in to audition because he talked to the casting director about me. The casting director had saw the picture of me from the L. It takes me a couple times before I can get past my own experience of doing the film before I can see the actual film and it’s story.
This is the place to start for those not in the know. But it took a lot of pushing cause I’m just not a natural extrovert in any way. I love Vivian Leigh, Esther Williams, and I like Diane Keaton, Shirley Ma Claine and Debra Winger. And they came over one day to take pictures, and they were taking pictures in our living room, and I got caught in one of the pictures.
The query was whether the "back story" of the character they were playing had molested. One actress who responded yes, said as an adult, when she looks back, she realizes how ludicrous it was that the back story of her character would involve being molested. She was only in first grade when she made the movie.
It had a lot of young kids in the movie, although they were older than her. All of the young actors and actresses were loaded on to a tour bus. There were also other men there who she remembers hearing were studio executives. She does remember walking around this carnival as she put it and seeing the executives pairing off with a couple of the actors or one on one.
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My friend from so long ago says his experience differed slightly. They ended up flying to that same ranch north of Los Angeles.